In honor of Martin Luther King Day, today’s song is a
recording by Sam Cooke, whose birthday is later this week, the 22nd, written
after Cooke was struck by the message of Dylan’s “Blowin’ in the Wind.” Cooke
decided to write a song that would call for change in racial relations and this
song—after Cooke’s shocking and sudden death in 1964—became an anthem for the
Civil Rights Movement.
Unlike other anthems, though, the song doesn’t strike one as
anthemic. It’s not strident, it’s not preachy, it’s not a call to arms. It
feels much more like a hymn, a prayer for change, but, at the same time, it
sounds like an elegy for all those harmed by the status quo—which is why I
think it may be the best song to commemorate both Cooke and MLK. There’s a
stirring certainty in the song—“I know change is gonna come”—that was one of the
motivating forces in the speeches of Dr. King.
Cooke’s lyrics seem to me deliberately vague about the kinds
of injustice that he wants the song to address: there’s no mention of race,
even the verse about going to the movies and being told not to hang around downtown
could describe the treatment of teens in general, not only black youths. Cooke seemed to sense that the song, to get
airplay and be acceptable to radio stations for whites, couldn’t be overt in
its protest. To black listeners, there
could be no doubt what he was trying to say, but whites, possibly, could
overlook the message and just hear a soulful song about being poor and
unfortunate. Even so, the song is
powerful in its evocation of trials and hardships, and is certainly like
nothing else recorded by Cooke, and is even rather in the vanguard, since “protest”
was primarily a theme in folk records, if at all, and not in R&B or pop
songs.
Released in 1964, the song came along too early for me to be
familiar with it from the radio, and it’s certainly not the Cooke song I
remember hearing first or the most. That
would probably be “Cupid” or “You Send Me”—both very polished gems of early
Soul music. In fact, I’d have to say
that Cooke possessed one of the most pleasant-sounding singing voices I can think
of. That very mellifluousness might make
him an unlikely protest singer, but on this song it works.
Had he lived, Cooke might have written more such songs with
a message, or recorded, with his immediately recognizable voice, other songs
expressing support of social change in the U.S.
As it is, the song became easy to associate not only with the legacy of
MLK, who was killed four years after Cooke, but also with the election of
Barack Obama as the first non-white President of the United States. The murder of King, as a point of reference
in listening to the song, gave the song even more poignancy and urgency when it
was played in the latter Sixties. Even if treated as celebratory—as if change
done come in 2008—the song, becoming more timeless as time goes on, continues
to call for change.
“There were times when I thought I couldn't last for long / But
now I think I'm able to carry on / It's been a long, a long time coming / But I
know a change gone come, oh yes it will”—the final verse is perhaps the one
most evocative for the struggle from slavery to something like equality for
blacks in the United States, and it could be said that the change is not only of
something that must be altered in our society but a change that also happens inside
the singer: “I thought I couldn’t last for long / But now I think I’m able to
carry on.” The change is one of
perspective and outlook, a sense of possibility, finding in oneself the means
of moving from suffering to, if not salvation, then to something worth
achieving.
I also give Cooke credit for including the lines “I don’t
know what’s out there beyond the sky.” Much of the music in support of the
Civil Rights movement was gospel-based, and much of such music includes the
fervant hope for something beyond the sky—the promise of rewards in the after life
to make up for hardships on earth. Cooke, without overstating it, clearly has
in mind changes that will have material effect in the here and now, the kind of
change one must believe in to get anything done.
1 comment:
From the perspective of "A Change is Gonna Come", even his "Wonderful World" is a call for change: not "what a wonderful world it is", but "what a wonderful world it would be."
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