Today’s song is “just because.” I was listening to a playlist of tracks I
compiled for the daughter of friends, songs from the Nineties because she was a
child then, and this was on there and really struck me, again. I didn’t know of the song until the early 00s when my daughter got into Pulp and shared some with me. Eventually I got
this LP, Different Class.
The song scored with me the first time I heard it, largely
because it’s catchy as hell and because its tone and topic hit a nerve. We
could say it’s the other side of my song for yesterday. Instead of a guy from
the sticks trying to make it to the Big Apple, this one’s about a privileged
art student type trying to go slumming with “the common people.” The exchange
between the singer and the girl is amusing enough, particularly with his drole
asides in the bar and the supermarket, but the song also manages to articulate
some harsh truths about the lives of the common people, placed in the context
of people who can “aspire” to poverty, or at least its accoutrements, without
having to endure it for real. They have escape hatches.
Rent a flat above a
shop,
Cut your hair and get a job,
Smoke some fags and play some pool,
Pretend you never went to school.
But still you'll never get it right
'cos when you're laid in bed at night
Watching roaches climb the wall
If you call your Dad he could stop it all.
Cut your hair and get a job,
Smoke some fags and play some pool,
Pretend you never went to school.
But still you'll never get it right
'cos when you're laid in bed at night
Watching roaches climb the wall
If you call your Dad he could stop it all.
It’s that last line that got me. As someone who comes from
people who “never went to school” (and visualizing the world I didn’t stay in),
and who had no hotline to a well-heeled Dad to come to my rescue, much less
being a well-heeled Dad able to do the rescuing, I could see all-too-well the
point of the song. And I liked the “you’ll
never get it right”—where, instead of trying to act posh or educated and
failing, the aspirant to the skids will expose her background and get the
boot. In England, accents are much more
telling than here in the States, so such exposure is guaranteed. Here, one might be able to slum a little more
convincingly, but, still.
You'll never fail like common people / You'll never watch
your life slide out of view / And dance and drink and screw / Because there's
nothing else to do.
Good one. Not that there’s anything wrong with dancing,
drinking and screwing, but when it’s done out of quiet (or not so quiet)
desperation, ah, there’s the rub. The
song is rather anthemic, isn’t it? It
really makes you want to sing along with those common people because it might
just get you through. There are other
telling lines as well, though, in case your identification is getting the
better of your sense of reality, as when you’re told “No one likes a tourist /
Especially one who thinks it all such a laugh.”
Jarvis Cocker’s delivery is something in itself—he actually
sniffs! To say nothing of whispering,
and nudging us, sotto voce, and also getting his register up in that
near-shrieking range when it becomes clear that this is a harangue—you prissy
cunt, you don’t know nothing about ‘common people’! Get outta here before I
gouge ya, ya twat.
I'm not saying such people all live in a perpetual Clueless, but. There is a certain grace that comes from easily avoiding certain pitfalls. Romanticizing those “others” comes honestly, perhaps, as hardships build character, etc., but there is a point at which those beaten down simply remain beaten. Pulp may see them as burning bright, but it’s rather more accurate, I’d say, to see them as burned, or, maybe at last, burned-up about it all.
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