The visit back home included some time with Kajsa, strolling
about in Old New Castle by the Delaware in happy-go-gusty March, talking about
music, as we will. And one of the topics was one of the bands we both
find to our liking these days: Spoon, from Austin, TX. Kajsa first brought
around some of their music with Kill the
Moonlight (2001), their fourth LP, in spring 2003. They’ve been hotter and
hotter since then, with Gimme Fiction
(2005), Ga Ga Ga Ga Ga (2007), and
their best yet, Transference (2010).
Today’s song is one of my favorites by them, from Gimme Fiction. Which, by the way, is a
great title. What the title of “The Beast and Dragon, Adored” means I’m not at
all sure. But enough of the song’s lyrics are intelligible to me to make it
seem somewhat anthemic:
I got a feelin’
It don't come cheap
I got a feelin’
I got a feelin’
Oh and then it got to
me
It took its time a-working into my soul
I got to believe it come from rock and roll
Believe it come from rock and roll
It took its time a-working into my soul
I got to believe it come from rock and roll
Believe it come from rock and roll
It’s not too big a stretch to say that whatever feelings I can
most readily identify “come from rock and roll.” Literature, movies, poetry,
art, and even other people—sure, they all inspire “a feelin’,” but rock and
roll is in a sense the great motivator, at least once I learned to call it
that. For a time, I know, rock and roll was all that Fifties music, y’know,
like “Rock Around the Clock,” and so it was get up and boogie music, not nearly
expansive enough to work into my soul, as Britt Daniels sings here. What that
took was the British Invasion and the kinds of white soul it inspired. And
Daniels and Spoon are all over that.
On the slacker score, I really like “I been learning my
scene / I been watching my friends move away.” That’s killer. If your scene is a college town, you see a lot of people move away. The scene is
where you are, where you’re stuck maybe, and maybe it’s worth “learning” it,
though as friends move away it may be less and less the scene one aimed at: “I
had to find the feelin’ again,” “All I need is a crew,” “The meaning sat tight
/ Said ‘it’s not what you expected but it could be right.’” Well, there’s hope.
And “when you believe they call it rock and roll.”
So, the song is about believing in rock and roll, certainly.
But it’s also about believing in the things—the feelin’—that rock and roll
makes possible. And maybe even the scene and the crew and the great dominions
inspired by that sound. Because, while it’s fun to talk about songs and music
and words, the hardest thing to describe and account for is the sound. Spoon’s
sound is consistent and continues to develop. The guitar parts on Transference are more advanced—or, at
least, they do more for the songs—than on previous albums. Which is a way of commenting once again on
the idea that bands don’t really hit their stride till they get past the fourth
album mark.
And remember, friends, “when you don’t feel it, it shows,
they tear out your soul.” And when you do, well, call it rock’n’roll.
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